Symphonie Grotesque is an excellent selection for use in branding or in other kinds of corporate identity design. The fonts’ ascenders rise quite a bit above the tops of the capital letters, but the capitals and the numerals both share the same height. The middle-two diagonal-strokes of the ‘M’ remain visibly above the baseline in all of the family’s styles. Symphonie Grotesque’s numerals are tabular lining figures the ‘1’ always has a nice, wide base-stroke at its bottom. But in the italics, the ‘a’ becomes single-storey, and the ‘f’and ‘ß’ get descending tails, too. For example, in Symphonie Grotesque’s upright fonts, the ‘a’ is double-storey, while the ‘g’ is single-storey (just what one would expect for a typeface of this genre). Instead of just offering slanted, or oblique versions of the upright fonts’ letters, Symphonie Grotesque’s italic fonts include several unique, more cursive-style letterforms. Symphonie Grotesque’s italics are what really set it apart from other neo-Grotesque families. Each weight has an upright and an italic font on offer. There are five different weights available, ranging from Regular through Heavy. Symphonie Grotesque is a family of neo-Grotesque-style sans serif fonts. Don’t want to lose too much time with the glyphs palette? Use the Eastman Alternate weights, thought for display use and presenting a selection of some of the more eye catching & unusual letter shapes available for the family. The most impressive feature of all Eastman fonts remains the huge choice of alternate characters and stylistic sets that allows you to fine-tune your editorial and branding design by choosing unique, logo-ready variant letter shapes. All share a solid monolinear design and a tall x-height that makes body text set in Eastman extremely readable on paper and on the screen.Influenced by Bauhaus ideals and contemporary minimalism, but with a nod to the pragmatic nature 19th century grotesques, Eastman has been developed as a highly reliable tool for design problem solving, and given all the features a graphic designer needs - from a wide language coverage (thanks to over one thousand and two hundred latin, cyrillic and greek characters) to a complete set of open type features (including small capitals, positional numbers, case sensitive forms). While Eastman Compressed and Eastman Condensed behave as space-saving condensed families, Eastman Grotesque adapts the family design style to humanist proportions. The original wide weight range has been complemented with three more additional widths, to give you maximum control over the appearance of text in your page. Other good fonts for testimonial include Georgia.Designed in 2020 for Zetafonts by Francesco Canovaro and Andrea Tartarelli with help from Solenn Bordeau and Cosimo Lorenzo Pancini, the original Eastman typeface family was conceived as a geometric sans workhorse family developed for maximum versatility both in display and text use. If you’re working on a testimonial project then try using Proxima Nova or Brandon Grotesque.
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Can I download all Google fonts?ĭownload All Google Fonts Free, open-source git applications are available for Windows and Mac OS X.
Due to its humanistic feel, it works particularly well for pull quotes in interviews. This makes it a great choice for titling and other bits of text that need to stand out from the body. Is Amatic SC a good font?ĭesigned for web use, Amatic SC has great readability in part thanks to its small caps (where it gets the SC in its name). It was initially designed by Vernon Adams, and concieved of to be used freely across the internet by web browsers on desktop computers, laptops and mobile devices. It can be used for titling and small runs of text.
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